Saturday, April 13, 2013

'Ronnie's Red' - A5 textile art quilt as thank you present

Here's what I've been working on over the last week. It's only A5 in size (148 x 210mm ...approx 6x8") and has a whole lot of free-motion stitching in silk, rayon and ultra-fine polyester. The edging is layers of satin stitching using wool thread. It's one of the first things I've produced on my new Bernina 750, and apart from some thread breaks while I was getting used to how tensions needed to sit it did a great job.

It's a thank you present for Ronnie Di Stasio, the owner of Bar Di Stasio here in St Kilda, he has the most amazing food you can imagine and has been more than generous with feeding me on quite a few occasions. My husband Colin does Ronnie's security systems for him and when he's gone above and beyond Ronnie has done the same and fed us in return. If you've ever eaten at Di Stasio you'd know a thank you present is well deserved!

Ronnie has a winery in the Yarra Valley and produces a world class Pinot Noir, which is why I thought it should be the focus of this mini-quilt. He is also an avid art collector, of names far, far more well known than my own so I do hope he likes this.

I figure at worst, it's small enough to hide in his cupboard :)

"Ronnie's Red" 148x210mm, cotton batting, backing fabric and face, printed from one of my own photos of ink jet ready cotton, thread painted and quilted. Bound in wool thread.

"Ronnie's Red" The back.



Monday, November 19, 2012

Hand Drawn Portraits - Just in time for Christmas!


Want something unique and handmade for a perfect Christmas present this year? I made this one of a kind portrait for my husband for a previous Christmas from a photo we both liked but was a little too blurry to blow up. The 'shades' are created by patterning - denser patterns create the darker areas and more open patterns read as a lighter grey from further away. Up close it's a little abstract with the tiny patterns clearly seen where as from far away it reads as a normal portrait.

The entire piece is hand drawn with black ink. As a special I'm offering a few commissions between now and Christmas for $180 for an A4 and $300 for an A3. (Unframed, ex GST postage extra). Paper will be top quality, acid free art paper.

Please email me to order, I will also need a photo with good contrast between areas as a guide.

Email for more information or to order here.

Now.... to work out what on earth I'm going to get for my hubby this year. Any suggestions?


Framing really does make a difference! This was a $50 frame from IKEA.

Friday, September 7, 2012

Organza Butterfly - Using a Soldering iron on Textiles Video Tutorial


Soldering irons (wood burning tools and stencil cutters too!) make a wonderful way to cut synthetic fabrics. They seal the edges at the same time, giving a laser cut edge look, plus you can also use them to secure one layer on top of another by melting them together. Make this amazingly beautiful butterfly in only about 30 minutes and learn some techniques to inspire your next textile art piece.


You Will Need:

1. A template - you can download the Ulyssees  butterfly one I designed below for personal use.



2. A soldering iron, wood burning tool or stencil cutter.

3. A smooth topped glass chopping board (or a pane of glass with tape over the edges to make it safer to handle).

4. Three pieces of black organza slightly bigger than the butterfly template.

5. Textiva (Fantasy film), I ironed 3 sheets of an iridescent blue together for the butterfly pictured. You can buy Textiva online, however you could also used Angelina fibre ironed into sheets or any pretty, sparkly synthetic fabric.

6. A well ventilated area. I also advise you to wear a mask suited for vapours, I use reasonably cheap disposable ones from the hardware store with a vapour filter built in as they are so light.

7. A tool for holding down small pieces (a little screw driver or similar is fine - just make sure the handle end won't heat up.


Watch the video tute I've made below (I filmed it on the spur of the moment so forgive me for the soft focus and making it up as I go along!) for full details, however I've also written the steps below.

Directions:
• On a heat proof surface place the print out of the butterfly template above. Cover this with your piece of glass so you can see the template through it.

• Iron 3 pieces of black organza a little bigger than the butterfly template so they are nice and flat. Position all three of these on top of each other over the template. You should still be able to see the outline to trace around.

• With your soldering iron draw a line around the edge of the organza, not pressing hard enough to cut. This adheres it softly to the pane of glass, making the rest of your work easier. This step is easiest is the fabric is flat against the glass and you use a metal ruler or similar as a guide, pressing it down on the fabric as you go.

• Carefully trace around the outline of the butterfly with the soldering iron. Go slow enough to cut through all 3 layers of the organza.

• Gently remove the organza from around the outside of the butterfly, leaving the butterfly shape on the glass chopping board if possible.

• Flip the glass plate so that you have a clear area to trace the blue parts from the textile and position a blank piece of the glass over this part of the template. Carefully cut around the Textiva. Don't push out the little pieces yet as it helps to know where they go if you leave them in.

• After you have cut all the blue pieces replace the chopping board so the black organza butterfly sits inside it's outline. Carefully place the first blue piece on top in the correct position and gently draw around the edge of it with the soldering iron to melt it into the black backing layer. I often hold one edge down with a metal tool and 'tap' with the soldering iron until it has bonded enough for me to trace over the edge without it moving.


• Finish attaching the rest of the blue pieces and carefully peel your butterfly from the chopping board.

Admire your handiwork :)

The video:
 


The first butterfly I made using this process. This one also has score lines drawn into the wings by using the soldering iron very lightly on the black organza to 'draw' in marks.






Thursday, August 30, 2012

Places still available: 'All That Glitters' workshop in Altona, Vic, Sat 8th September, and my new quilt!


Hi all,

I've just learned that there are still a few places available for my full-day workshop "All that Glitters" where you will learn how to use Angelina fibre, Textiva (fantasy film), transfer foils, metal flakes and other bits of bling to add to your multi media / textile art and quilts. Book quickly - it's next Saturday the 8th!

We will make the quilt top for my new design "Tweet" picture below and you'll take it home ready to quilt (or frame for non-sewers).


All fabrics (except for the background) are hand made from Angelina fibre with Textiva (fantasy film), metal flakes, sheer fabrics and crystal shard embedded. The 'tweet' caption balloon is silver holographic transfer foil on fusible web.



If you're interested please get in touch with Doris Gloger of Altona's Seabreeze Quilters ASAP:email:   dorisgloger@hotmail.com    or call: 0430822285


metallic foil satin stitching with transfer foil overlay creates the edging.

Class details:
Saturday September 8,
10am - 4pm
Cost $70 plus kit ($20) or bring your own as per the requirements list.


You'll find out:

• How to get the best effects from Angelina - how to blend, change it's colouring and change it's iridescence levels.
• How to embed fantasy films, metal flakes and sheer fabrics
• How to attach them to a quilt backing pin free without having to apply lots of heat and flatten their colours.
• How to create a foiled border edge for your work.
• Take the completed top home ready to back and quilt or frame.
• The easiest ways to free-motion stitch with metallic threads.


Here's an alternate version of the same quilt with spiral quilting in the background:


I would love to see you there!

-Neroli