My Child Meets and Weekly Review (city edition) - Articles on myself and my I+V+III+I (Stillbirth) quilt

I'm pleased to announce I've just had my very first publicity article published. The AQC use a PR agency and they have been great in maximising the exposure my I+V+III+I (Stillbirth) quilt has received.

The first article is in Q & A format and you can read it online as part of the My Child newsletter and you can read it on their website here.

From today there will also be an article in this weeks edition of the Weekly Review (City Edition) magazine.

I would also like thank my friend Denise Galuoppo for sharing her story with me in such detail and helping me refine the wording of the poem. It's the only way I managed to capture her struggle to have a second child so poignantly in the design of this quilt.

Until next time,

Neroli x

The Plight of the Bumblebee - my entry in 'Living Colour! international travelling exhibition

I've had a really productive year this year so far, at least for me :) I've produced two major works, one as posted below for the AQC 'Ten' challenge and the other is this piece, 'The Plight of the Bumblebee' for the 'Living Colour!' juried exhibition.

All works had to address the theme 'Living Colour!' and were to be 100x40cm in size - a quite long and narrow format which really pushed me to design something that would be best suited to this rather unique layout.

The flower petals were painted with Lumiere acrylic paints, the yellow centre is needle felted silk velvet surrounded a machine embroidered hand dye. The bee is painted and wings are made out of Angelina fibres that have been fused, backed on a water soluble stabiliser and then free machine stitched. The dew drops were created with plexi glue and opal transfer foil. Thread painting and quilting were used to further enhance the surface.

My artist statement for 'Plight of the Bumblebee' is:

 The amount of variance of colour and design on the Earth is so breathtakingly amazing and yet so often taken for granted. I wanted to show the beauty of a unique flower and how nature has allowed for so much contrast and detail, right down to the smallest dew drop or insect. The artwork's name reflects on the current significant population decline of bees worldwide, an issue for us all given they pollinate so much of the food we eat.
Techniques & Materials: White cotton was painted with metallic and iridescent acrylic paint and fused onto the backing fabric. Extra depth was added with translucent fabric paints. The middle of the flower incorporated machine embroidery, machine needle punched silk velvet and a fringe created with a tailor tack foot on the sewing machine. The dewdrops have been glued and foiled. Bee wings are made from moulded Angelina fibres. I have also used a double wadding trapunto technique on the flower petals to give extra depth.

The exhibition premiers this week in Ausralia from Thursday April 10 at the AQC in Melbourne at the Royal Exhibition buildings. To see other venues and dates please view:

http://livingcolourtextiles.com

I+V+III+I (Stillbirth) quilt, AQC (Australasian Quilting Convention) 'Ten' Challenge Finalist 2014

I'm pleased to now be able to share my latest quilt which gained entry into the AQC 'Ten' themed challenge. I spoke a little about the theme concept of this intensely personal art quilt in my last blog post here, but essentially it's a memory quilt detailing my friends' struggle for a family and the child, miscarriages and still birth that followed.

I+V+III+I (Stillbirth) 125x125cm by  Neroli Henderson
Click to enlarge

Only one word for this caption - "Yay!!!"

Although it's a very simple piece symbology is rife throughout the design - every single leaf represents a real miscarriage, every joined double leaf is an IVF implant that failed to eventuate.  After IVF failed Denise became pregnant again naturally and it felt like it was meant to be until her baby Marcus was born sleeping, just a couple of days before his due date. Hospital staff took prints of his little hands and feet and I used those to free motion his prints onto the quilt. 

Footprints taken from Marcus Connor, born sleeping 2/1/11 were stitched using the real prints as guides.

Two faces are carved into the top part of the tree trunk, you can just see their profiles. The Dove represents Paige, now 11 and the eggs in the nest the cycle of life that will perpetuate. The heart on the tree is cut from metal and debossed with Marcus' initials and date of birth: MJC 2/1/11.

The metal heart is debased with Marcus' initials, the tree has been shaped to go in the direction of the grain and the type was free motion stitched with metallic gold thread.

The entire quilt is made from shot silks, so the colour changes significantly as you walk past. I've shaped the tree from textured silk so that the grain follows the line of the branches. All elements have been fused down raw-edge appliqué style. The poem has been free-motion stitched with metallic gold thread and the background  quilting has been kept simple with the name of the quilt inscribed into the bottom.

In this detail you can see the two faces carved in profile out of the top part of the tree trunk.

The borders have been made from sari silk edging which is a new way of finishing a quilt to me and one I haven't seen before. I hope you like it, it was an incredibly sad quilt to make and one that I hope will resonate with others who have had to go through this sort of loss. Still birth is much more prevalent that many would think.

To see the other finalists (and it's well worth a look - there are some amazing works) view them on the AQC website here.

Who's going to the AQC? If are please consider filling out the viewers choice form for this quilt. :)

Neroli x

'Brunelleschi's Broken Bicycle' 12x12" Art quilt

I made this quilt for the Aus_NZ Art Quilters yahoo group challenge. We all agree on a theme at the start of the year and then aspire to make one quilt per month to this theme. The best 5 of each person who wants to exhibit will be seen at next years Australian Quilting Convention in Jeff's Shed.

click pics to enlarge

For my first quilt for the year (hey I'm a late starter and arranging a wedding got in the way a little!) I chose  Italy and Florence in particular. One of the things that surprised me while honeymooning over there was the sheer number of broken bicycles that littered the streets - generally still chained to bike racks. Some corners had four or five formerly very expensive bicycles with wheels kicked in or bent frames.

To make this I:

• Cut bikes from a pre-printed fabric and fused them with fusible web to a backing fabric, I pleated and creased them before ironing down to abstract and 'break' the bikes.

• I made a bike wheel with Expander Paint (by Setacolor), I put some into a folded trough of aluminium foil, added a little black Jacquard Dye-na-flow paint and mixed. I stamped the bike outlines using a bamboo cooking skewer that I bent into arcs for the wheel.

• I ironed the Expander Paint to raise it (it's like 80's puff paint on steroids!) and then painted the middle of the tyre with gel medium with a tiny amount of gold paint mixed in followed by a gloss varnish.

• Rather than conventional binding I sewed around the edges and then bordered them with leather tonging that has been couched down. I figured leather was something else quintessentially Italian.

I wanted the worn look of stamping for the tyre as so much of Italy is, while beautiful, very old and worn without a lot of the upkeep that we saw much of in places like Paris. This was very noticeable in the main museums over there when compared with places like the Lourve.